Palisades Concrete Pier House - Photo of the Week

Name: Palisades Concrete Pier House
Architect: Unknown
(Occupied by the Architect who designed it.)
Year Designed: Unknown
Builder: Unknown
Year Completed: Unknown
Size: Unknown
Location: Pacific Palisades, Los Angeles, CA
(overlooking Sunset Blvd.)
Type: Residential
Style: Brutalist Concrete and Wood Modern
Status: Excellent
Photo by: Robert McLaughlin

This photo has proven to be my most popular image on Flickr, so I thought I would share it with our blog readers. I photographed this house several years back while staying with some friends who lived just a block away. It is only about a half mile from the Eames House. The home was designed by the architect who lives there and it has great views into the canyon and probably the ocean beyond the ridge. The road visible below the house is Sunset Blvd. Click Here to see the front of the house.

Who is George Matsumoto and what does he have to do with Kansas City?

Name: Matsumoto Residence
Architect: George Matsumoto
Year Designed: circa 1951
Builder: Frank Walser
Year Completed: 1952
Size: Unknown sq. ft. (3 bedroom, 1 bath)
Location: 821 Runnymede Road, Raleigh, North Carolina
Type: Residential
Style: Modern / International Style
Status: Good
Photographer: Joseph W. Molitor

George Matsumoto was a partner with David B. Runnells in Kansas City for one year at the firm Runnells Clark Waugh and Matsumoto Architects. We know that the firm did at least one house and the first new building then called just, "The Art School," for the Kansas City Art Institute, There may have been a Doctors Office done as well. It is unknown if the Doctors Office is still standing and if it was done by all four partners or with Matsumoto alone. Waugh and Matsumoto left the partnership to teach at University of Oklahoma with Henry Kamphoefner. They immediately left Oklahoma to start the new school of design at North Carolina State University in 1948.

The photo above is the house that Matsumoto designed for himself in Raleigh, North Carolina. He won many awards for this design and went on to complete many residential commissions.

The folks over at Triangle Modernist Houses have also done a great job of documenting the career of George Matsumoto in North Carolina. The Matsumoto Tribute from and exhibit they did over at the North Carolina State Library has some good info too. Here is the George Matsumoto Group Pool on Flickr.

Below is and excerpt from from the National Park Service Website about the Matsumoto House
The Matsumoto House is one of several Modernist houses built in Raleigh from the 1940s to the 1960s. These houses were the manifestation of architectural concepts embraced by the faculty of the School of Design, established in 1948 at North Carolina State College (now North Carolina State University). Dean Henry Kamphoefner recruited several Modernist architects as faculty members, and was instrumental in influencing other Modernists to come to North Carolina to practice. He also brought internationally known architects to the school to lecture and to lead studio workshops. The faculty designed several residences for themselves, other faculty members, or for a small group of clients interested in new ideas in architecture. Built for the most part on relatively ample, wooded suburban lots,located on what then were the outskirts of the city, a key element in most of the designs is a careful integration of the house with its site.

In 1952, faculty member George Matsumoto began construction of his own house on a steeply sloping tract adjacent to a small stream. Its design shows the same attention to economical, post-and-beam modular construction and careful detailing as is seen in his earlier Richter House design. However, the young Japanese American architect was also strongly influenced by the work of Mies Van der Rohe, and the Matsumoto House demonstrates a Miesian concern with exposed structure and a sense of suspension generated by the use of lightweight wall, floor and ceiling planes to articulate its internal space. The sloping site allowed Matsumoto to put a lower level built of concrete block under the house, a space which contained his studio and which forms a base for the frame box cantilevered above it. The rectangular, flat-roofed mass of the main living areas is reached by a small bridge rising from a Japanese-influenced outdoor court. While the street side of the house presents a mostly-blank facade divided into panels, all of the rooms along the back of the house open with glass doors and windows onto a cantilevered, screened rear porch, extending the living space visually into the wooded hillside beyond. The Matsumoto House is a designated Raleigh Historic Landmark.

The Matsumoto House is located at 821 Runnymede Rd. It is a private residence and is not open to the public.

James Ingraham Clark Residence by Runnells Clark Waugh and Matsumoto Architects - Architects House Themselves

The James Ingraham Clark Residence won a mention in the P/A (Progressive Architecture) Awards in 1947. Below is an excerpt, including captions, from a Progressive Architecture article in April, 1949, pp 66-69. This is one of a few buildings known to exist from the Runnells Clark Waugh and Matsumoto Architects partnership. The others are the Kansas City Art Institute Art School Building and a possible Doctors Office that may not exist anymore. The first two photos are by Gene Hook all others by Fred Gund.


This is the home of one of the architects – James Ingraham Clark. -- looking south down the slope

House: Leawood, Kansas
Runnells Clark Waugh & Matsumoto Architects

PROGRAM: Suburban residence for a growing family. Space provided under present bedroom wing for duplication of facilities on upper level.

SITE: Land at end of cul-de-sac street; one acre sloping toward the south; stone ledge under most of actual house site.

SOLUTION: Plan organized to turn its back to the street side and open out to the east and south. Design developed to have advantages of prefabrication although built on the side. Ledge proved both solid and flat; hence, prefabricated heating panels and foundations were laid directly on the stone; footings needed under bedroom portion only where rock ledge ran out. Plan worked out on a 4’-1/4” module – the 4’ to take standard sheets of plywood; the ¼” to allow a space between sheets, eliminating any fitting or butting at the joints. Dry construction throughout.

MATERIALS AND METHODS

CONSTRUCTION: Framing: wood. Walls: no footings; stone foundations on solid rock; native stone. Interior finishes: Douglas fir plywood; exterior: 5-ply waterproof plywood. Floors: wood sash: double-insulating glazing; glass block (bathroom only). Insulation: acoustical; cement-impregnated wood-fiberboard exposed on ceilings; thermal’ double-thick expansible blanket; flameproof cotton: glass-wool batts: blown-in wool type. Partitions: frame. Surfaced both sides with plywood. Doors: birch-surfaced hollow core; solid flush exterior doors.

EQUIPMENT: Heating: hot-water radiant panel, zoned for three areas; gas-fired boiler; automatic controls; attic fan. Kitchen: electric stove, refrigerator, dishwasher, garbage disposal unit, deep freeze, and exhaust fan. Special equipment: water softener.



front door - (looking south)

view from street (utility rooms, left, bedroom wing, right)


bedroom wing, additional bedrooms to be added later at lower level


view from east (living rooms left, outdoor living, right center, service right


living room and porch (right); glazed stairwell (left)


(first floor plan)


south window of living room and stair hall to bedroom wing

fireplace corner of living room with east porch beyond


master bedroom with cantilevered deck outside southeast window wall


wall between dining area and kitchen


same wall, opened up

James Ingraham Clark Residence by Runnells Clark Waugh and Matsumoto Architects

Name: James Ingraham Clark Residence
Architect: Runnells Clark Waugh and Matsumoto Architects
James Ingraham Clark, Project Designer
Year Designed: circa 1947-48
Builder: Don Drummond
Year Completed: circa 1948
Size: Unknown
Location: Leawood, Kansas
(Greater Kansas City Area)
Type: Residential
Style: Modern
Status: Good
Photographer: Gene Hook
Photos scanned from and article excerpted from: The American House Today : 85 Notable Examples Selected and Evaluated by Katherine Morrow Ford and Thomas H. Creighton, Reinhold, 1951, pp 134-135

KANSAS CITY, MISSOURI

Built for one of the partners in an architectural firm, this house of the James Ingraham Clarks is planned carefully for expansion as the family grows. It turns away from the street – originally a quite thoroughfare which has since became much more busy, partly because people come to see the house – and faces towards the south and southeast on a sloping site which ends in a wooded creek bed. When the house was built there was one child; now there are two, and family plans are for two more. Hence it was desired that the house could grow both in bedroom accommodations and in living space. Facing the street is a “core” which will not change: utility rooms, kitchens, laundry and garage. Past these rooms as one enters the house is a living room which is at present reasonably large, but certainly not oversized. In the future, as the plan indicates, this room will be extended, and even may have a porch on the end as a final expansion. The solution to the addition of bedrooms is made possible by a steep drop of fifteen feet in the site at the point where the bedroom wing breaks from the main house. Under the present two bedrooms there is now an open terraced space which, can, when the family has grown, be converted into a lower bedroom floor with three rooms. Mr. Clark is thoroughly objective about the value or lack of value of a number of ideas that went in the house. Orientation for sun control, studied mathematically, has worked out excellently. Plans to use a certain amount of site prefabrication – panels constructed on the property and raised into place – did not work so well, because of unfamiliarity of the available labor with this system. There is “nearly too much: storage space in cupboards, drawers and shelves. These are minor troubles, however. In general the dry-wall construction, the acoustic ceilings, the efficient kitchen layout, and the orientation have worked very well.

RUNNELLS, CLARK, WAUGH & MATSUMOTO, ARCHITECTS



David B. Runnells Residence - Architects House Themselves

Name: Runnells Residence
Architect: David Benton Runnells
Year: Designed circa 1950
Year Completed: circa 1950
Size: unknown sq. ft. 3 bedroom 1 1/2 bath
Location: Windsor Street, Fairway, Kansas
(Greater Kansas City Area)
Type: Residence
Style: Modern / International Style
Status: Demolished
Photographer Wayne Wright, taken circa 1951
Scanned from Architectural Record, February 1955

This Residence was built by David B. Runnells for himself, his wife and two children. It was located on a golf course lot in Fairway, Kansas and was near a few other houses of his design. The plan would suggest certain Scandinavian influences, while the exterior appears that Mr. Runnells may have been influenced by the work of R.M. Schindler. We can also see some relationship to the work of George Matsumoto who had partnered with Runnells just after World War II.
Runnells traveled extensively in Europe on a Scholarship after college and we see in the photos that he furnished the home with many pieces of Alvar Aalto furniture, which he first saw while in Finland in 1936. The Ralph Rapson Rocker pictured is significant because Runnells attended Cranbrook and worked in the Saarinen office with Rapson.

Sadly, the home was torn down in the 1980's and replaced with a French Country McMansion.

Be sure to tour some of the remaining homes by David B, Runnells at KCMODERN's,
David Benton Runnells House Tour and Party.

We will feature at least six Modern Houses by the architect. The dates of the events are
September 19, 2009 for the Runnells House Party and
September 20, 2009 for the Runnells House Tour.



Carl Stenstrom, Architect- "Stonestream" Revisted

The previous post about "Stonestream" generated quite a bit of interest from friends and acquaintances that wanted to see more of the house... I recently located some photos I had taken in 1989 and 1990. I hope you find them interesting...The above pic was taken from the "car court" looking toward the entry, garage/workshop on the left, bedroom wing on the right.
Looking toward entry. Stenstrom loved an entry sequence. Columns had integrated lighting at the tops...note Carl's 16 inch module lines in the concrete.
Looking toward entry, screens seen at left and below enclose the Tea Garden.
Car court perimeter is defined by this fence, 30 ft. by 30 ft. workshop below.
Above looking toward front door, dining room screened from foyer...below Carl and friend looking at plans in dining area. Early evidence of roof leaks which ultimately doomed the house.

Above, fireplace nook with low ceiling deck. Below, wall of french doors in living room. Carl designed the lamp.

Above, cantilevered roof over master bedroom terrace. Below, master bedroom terrace as seen from the south. The pond seen here in the previous post is long gone.
Below, master terrace looks into the woods.
Below, one of the many "straight as an arrow" retaining walls Carl built.
Below, a fusion of two photos showing the idyllic setting under the trees.
The next post about Stonestream will show more recent photos highlighting the poor current condition of the home.

Carl Stenstrom, Architect- He called it "Stonestream"

A good friend of ours, Carl Stenstrom, (1927-2008) designed and built this house himself near Red Bridge Rd and the Blue River. After graduating(1950) from KU with a degree in architecture and being an avid devotee of Frank Lloyd Wright, he applied for apprenticeship at Taliesin. Wright asked him if he was married, he replied "Yes"... "Do you have children"? "Yes sir, one and one on the way", Wright said, "We don't have very much room around here right now, so you should go home and raise your family." Agreeing, but wanting to learn more, Carl worked on the construction crew during the building of Wright's Price Tower in Bartlesville OK. He became a wizard in concrete construction. He believed the most rewarding home was one you built yourself or at least helped build, growing "organically" as needs changed. His home was a great example of his thinking. He started building it in 1958.
The neighbor kids, now grown, tell stories about always hearing the cement mixer, it seemed it was running more than not. With classical music playing in the background, Carl did an enormous amount of work for one man.. moving rocks, mixing concrete, not to mention all the form work, carpentry, pouring the slab with radiant heat, etc, all while making a living as an architect to support family and construction ...In the carport building, in the space labeled studio, is where the family originally lived. It's a small space with kitchenette, fireplace, and hardly enough room for two adults much less a growing family. You know they hoped for fair weather so they could enjoy sleeping outside on cots.
The mid 1970's photos above show the "Wrightian" fireplace with lower ceiling deck and built-in seating to the left, "World Book Encyclopedia" on the shelves. Behind the fireplace is the retreat with the tower integrated with the fireplace. The house has plaster ceilings and cork floors, except in front of the french doors where he randomly placed flat stones in the concrete border. Carl designed a lot of his own furniture and the elaborate geometric screen in the dining room. The previous photo is taken from the dining room looking south toward the Steinway parlor grand piano in the back of the living area, the fireplace is to the left. (Sorry, the ceiling isn't stained, it's my photo)
After the house took shape Carl threw himself into building rubble stone retaining walls that stretched into the surrounding landscape. Under the car court in front, Carl built a 30ft.x30ft. concrete room to store his tools and to use as a shop.
Stonestream is the English translation of the Swedish name Stenstrom, which was appropriate considering the rain runoff that flowed through the property that Carl endeavored to control. Initially, he dammed the stream that bisected the property, you can see the shallow pond with the cantilevered master terrace hovering above in the photos. This created a very picturesque setting and provided a lot of fun for the family, note the canoe. The city later installed sewers making it a ditch. Carl filled the pond with dirt and built more retaining walls turning the slope into flat elevations.

The above winter photo taken from the hill behind the house, shows the low horizontal plan of the house in full. Mostly french doors on this south side, you get an idea of the pinwheel sprawl of the house. In the foreground, under construction, is the elliptical swimming pool retaining walls. He added an adjoining taller cylinder to house the changing room and kitchenette. Though never completed, when walking through it, you can appreciate Carl's vision.
Suffering from declining health, and unable to maintain the property, Carl and his wife moved. He passed away last year, just a few weeks after the Kansas City Star did another story about him and his house. Today, the house sits empty and vandalized. Two subsequent investor/owners did nothing to protect the house from the elements... it is in extremely poor condition.

KCModern salutes Carl and his dedication to his ideal.

Modern Photo of the Week - Yanda Residence

Name: Yanda Residence
Architect: Albert J. Yanda
Year Designed: 1965
Builder: Albert J. Yanda
Year Built: 1966
Size: 1700 sq. ft. 2 bedroom 2 bath
Location: Kansas City, MO (Valentine Area)
Type: Residential
Style: Organic Modern
Status: Very Good Condition
Photographer: Unknown

The Yanda Residence was built by Architect, Albert J. Yanda for himself and his wife. The structure, built of steel, sits on what was considered for years to be an unbuildable lot. His creative response to the site is an introverted façade to the street and a soaring glass filled structure to the rear. The inspiration for this house may have been looking West to John Lautner's Chemosphere house in California , built a few years earlier. Not long after completing this house Yanda would move west himself. Yanda had previously been in the employ of David B. Runnells, Architect to several early Drummond Projects. Yanda's initials appear on many of Runnells' drawings as the draftsman of these plans.

Modern Photo of the Week - Morley Residence

Name: Morley Residence
Architect: John "Jack" Morley (for his own family)
Year Designed: Unknown
Builder: Unknown
Year Built: Circa Early 1950s
Location: 6735 Belinder Mission Hills, Kansas
Type: Residential
Style: Mid-Century Modern
Status: DEMOLISHED 12-07 to make way for another McMansion
Photographer: Unknown (Photo From Family)

A mid-century modern passive solar, post and beam design with south facing windows, clerestories and wide overhangs. It had mostly wood interior with some interior stone walls used for thermal mass. The exterior was predominantly stone and wood.

For a photo taken shortly before the house was demolished go here.